Alumna Comes Full Circle as Curator of President's Art Exhibit

Alumna Comes Full Circle as Curator of President's Art Exhibit

By Brian Hiro

Sarah Bricke, a 2020 CSUSM alumna, curated an exhibition of student art in the home of President Ellen Neufeldt. Photo by Erica Perez

Sarah Bricke was a student entering her final year at Cal State San Marcos when Ellen Neufeldt was hired as president of the university in the summer of 2019.

They first connected a few months later. Bricke, an art, media and design major, was the co-curator of a student art exhibition titled "Juncture," and Neufeldt dropped in on the opening event to express her admiration.

Neufeldt, it turned out, was an art lover, to the extent that she converted a room in her Escondido home into a gallery space. And when, during her first year at CSUSM, she decided to display student art in that space, sure enough, it was Bricke's art that was chosen (along with that of Kimberly Lopez, her co-curator for the student exhibit).

Four years later, Bricke's relationship with the university and its president has come full circle. In January, the art created by Bricke the student was removed from Neufeldt's home gallery. In its place was installed art by two current or recent CSUSM students that was selected by Bricke, now a professional artist and curator.

"I'm really happy to have been asked to curate the exhibition," Bricke said. "It brings together all of these things that are intensely personal and specific to me, but that also resonate with the larger community at CSUSM, including the faculty of the art department and the president's office, and hopefully the president herself. It's a beautiful thing and, for me, it's really what makes this worth doing."

After being hired to curate the exhibition last fall, Bricke opened a submissions process for CSUSM arts faculty to recommend students whose work was especially accomplished. From a group of almost 20 students, Bricke chose five oil paintings each by Karolina Lopez and Esther Rodriguez. The exhibition's theme, Bricke says, relates to the "intersection of landscape and lived experiences of these two women who are navigating life as students, set against one of the most contested borders in the world."

Rodriguez said she created her paintings last spring during an independent study course leading up to her May graduation, under the direction of lecturer Heidi Brar.

"It was a great surprise when Sarah gave me the news, and I never could have imagined my pieces being displayed in the home of President Neufeldt," said Rodriguez, who's now pursuing a Master of Fine Arts degree at National University. "This exhibition means a step further in my career as an artist. Also, I am representing the CSUSM arts faculty, which makes me feel very proud of this accomplishment."

Brar actually mentored both selected students, first in her AMD: Advanced Painting course and then in the independent painting projects that evolved into the exhibited paintings. She said the students have different approaches to painting - Rodriguez "uses bright colors and personal imagery to interweave personal narratives with larger cultural themes," while Lopez shows a "remarkable ability to capture the essence and color palette of iconic landscape locations in San Diego" - but are equally deserving of the recognition.

"Both students' perseverance and hard work distinguished them among the AMD majors, and I feel they are very relevant choices for the president's collection," Brar said. "Their work presents an opportunity to appreciate the impact the college makes and celebrate the talents of these wonderful students."

Bricke's model of resilience and determination since her time at CSUSM is one that the student artists might hope to emulate. Graduating just as the COVID-19 pandemic was heating up in 2020, she hoped to obtain an MFA degree but didn't get into any of the four graduate programs she applied to. Feeling lonely in isolation and discouraged by the setback, she rededicated herself to her art, and when she applied to nine programs the following year, she was accepted by eight of them and chose one of the most prestigious in the nation - the School of the Art Institute of Chicago.

"SAIC was my reach school. I really felt like it was a long shot," Bricke said. "When I got the big envelope in the mail, I was over the moon. I couldn't believe it."

SAIC is a low-residency program, which means that students aren't expected to live full-time in the city where the institution is located. That made it an ideal fit for Bricke, a single mother who didn't want to uproot her daughter, Crimson (now 10), from their home in Vista. Bricke would travel to Chicago for in-person work toward her degree over the summer, but otherwise she was free to stay in Southern California, interrupted by a couple of trips with Crimson to places like Berkeley and New York City to tackle projects related to artists' archives.

"I felt this confidence as a scholar and an academic and an artist," she said. "But the setup also gave me greater confidence as a mother."

Bricke uses multiple terms to describe her art, including "conceptual" and "research-based." The one she prefers, though, is "transdisciplinary." She describes it as combining academic disciplines, materials and methods in an attempt to make something new that hasn't been done before.

For Bricke, transdisciplinary art manifests itself in novel and subversive ways. She will attend academic conferences and present what she calls performative lectures, in which she adopts the traditional role of an academic while simultaneously challenging the conventions of the higher education system.

Her website is another example. A page that on a traditional site might be titled "About Me" is instead called "forms of refusal," and in place of the typical artist bio is a paragraph that reads: "Sarah … believes that biographical content is largely unnecessary and generally uninteresting. Alternatively, this placeholder for formulaic recitations of academic degrees, artistic achievements and prestigious awards offers an opportunity to test parafictions and substitute narratives."

"I think of my website as a work, and its function isn't to present objects that I've made so that curators can see them and put me in an exhibition," Bricke said. "It functions more as a thing to talk about. Curation was a natural extension of this concept, where I thought, 'I want to gather objects and people and images so that we can have dialogue around them.' And for me, that dialogue, that exchange between the art, the person who made the art and anyone else, like the viewer, that is where the art resides."

Bricke graduated from SAIC last July, and for the last year she has been juggling art projects like the curation for Neufeldt's home with preparations to begin a doctoral program this fall. She's pursuing a Ph.D. at UC San Diego in contemporary art history with a focus on gender and sexuality, and artists' archives.

"I've come to see that I have an artist/scholar, scholar/artist practice," she said. "I would love to teach because I've had such incredible mentorship from faculty at CSUSM and at SAIC, which has changed me as an artist and an academic and a scholar, but also as a person. I'd like to pass that on."

When she was a CSUSM student in 2019, Sarah Bricke (second from left) co-curated a student art exhibition that was attended by Ellen Neufeldt (far left), then CSUSM's new president.

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